Seneca on the modern Spanish stage

Authors

  • Carmen González-Vázquez Autonoma University of Madrid

DOI:

https://doi.org/10.4454/dioniso.v13.589

Keywords:

Seneca, XX-XXI Centuries, Spain, Performances

Abstract

We present an overview of the most important performances of Seneca’s tragedies in Spain, from the first (1933) to the last (2021), evaluating aspects related to the text, the dramaturgy, the directorial decisions, the socio-historical and cultural context, the audience’s reception.

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Published

2023-04-14

Issue

Vol. 13 (2023)

Section

Articles

License

Copyrights are transferred for five years starting publication date from the author(s) to the Publisher. After this period, the content is released under a Creative Commons licence (Attribution-ShareAlike 4.0 International).