Gli occhi di Beatrice

Le parole e lo sguardo nei Notebooks di Nathaniel Hawthorne

Autori

  • Bartolo Anglani Università di Bari

DOI:

https://doi.org/10.4454/syn.v3.537

Parole chiave:

Nathaniel Hawthorne, Notebooks, Beatrice Cenci, Gaze

Abstract

By focusing on the passage describing Nathaniel Hawthorne’s encounter with the portrait of Beatrice Cenci at the Barberini Gallery, long mistakenly attributed to Guido Reni, the essay proposes a reading of the Notebooks that goes well beyond their status as travelogue, and rather envisages them as a privileged space for the reflection on the relationship between the individual and the world. Instead of highlighting what the author has experienced and ‘seen’, the Notebooks reflect on the possibilities and modalities of ‘seeing’, which, in the case of Beatrice’s portrait, fascinatingly echo the ‘mysteries’ that have always surrounded it. 

Riferimenti bibliografici

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Pubblicato

2023-02-09

Fascicolo

Sezione

Articles and Essays

Come citare

Gli occhi di Beatrice: Le parole e lo sguardo nei Notebooks di Nathaniel Hawthorne. (2023). Synergies: A Journal of English Literatures and Cultures, 3. https://doi.org/10.4454/syn.v3.537